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A Washington Post Best Book of the Year
Peter Straub—bestselling author and 8-time Bram Stoker Award winner—has gathered here 24 bone-chilling, nail-biting, frightfully imaginative stories that represent the best of contemporary horror writing.
Dan Chaon “The Bees”
Elizabeth Hand “Cleopatra Brimstone”
Steve Rasnic Tem and Melanie Tem “The Man on the Ceiling”
M. John Harrison “The Great God Plan”
Ramsey Campbell “The Voice of the Beach”
Brian Evenson “Body”
Kelly Link “Louise’s Ghost”
Jonathan Carroll “The Sadness of Detail”
M. Rickert “Leda”
Thomas Tessier “In Praise of Folly”
David J. Schow “Plot Twist”
Glen Hirshberg “The Two Sams”
Thomas Ligotti “Notes on the Writing of Horror: A Story”
Benjamin Percy “Unearthed”
Bradford Morrow "Gardener of Heart”
Peter Straub “Little Red’s Tango”
Stephen King “The Ballad of a Flexible Bullet”
Joe Hill “20th Century Ghost”
Ellen Klages “The Green Glass Sea”
Tia V. Travis “The Kiss”
Graham Joyce “Black Dust”
Neil Gaiman “October in the Chair”
John Crowley “Missolonghi 1824”
Rosalind Palermo Stevenson “Insect Dreams”
- Sales Rank: #1268805 in Books
- Brand: Straub, Peter (EDT)
- Published on: 2009-10-06
- Released on: 2009-10-06
- Original language: English
- Number of items: 1
- Dimensions: 8.00" h x 1.06" w x 5.20" l, .99 pounds
- Binding: Paperback
- 608 pages
From Publishers Weekly
Starred Review. Edited by legendary horror writer Straub, whose works tend to vary from the stereotypical horror stories of recent decades, this collection of 12 unusual and terrifying tales strays from the formulaic bloodbaths that stock the shelves of bookstores everywhere. The collection features stories by such established writers as Neil Gaiman, Jonathan Carroll, Straub and Stephen King, whose early story The Ballad of the Flexible Bullet is read by John Lee with such earnestness and delight that it makes fans remember why they fell in love with King's prose to begin with. It also offers plenty of fresh voices in the genre. The cast of narrators is equally expansive, with a new voice tackling each new tale and always managing to get it right. A true standout is Mark Bramhall's reading of Dan Chaon's story The Bees. A Doubleday hardcover (Reviews, Sept. 8). (Oct.)
Copyright � Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.
From School Library Journal
With an introduction by the much honored Straub (Ghost Story), this collection can be dubbed New Wave horror, considering that most of its 24 stories were published fairly recently and it includes contributions by celebrity horror writers. The tales mostly eschew buckets of blood, instead employing mood and suggestion in the manner of Edgar Allan Poe. "Little Red's Tango," Straub's lengthy quasigospel of a record-collecting obsessive, complete with beatitudes and a seductive demon, ably represents the editor's definition of New Wave horror. All the stories honor Poe, like the moody, contagious delusions of Stephen King's "The Ballad of the Flexible Bullet." The genre can be literary, as exemplified by Tia V. Travis's vengeful "The Kiss," Thomas Tessier's surprising "In Praise of Folly," and, probably the most demonstrably Poe-like, Ramsey Campbell's "The Voice of the Beach," featuring a neurasthenic narrator, suffocating suggestibility, and nearly palpable imagery. Brian Evenson's creepy "Body" and Dan Chaon's touching "The Bees" culminate in the horror of bad deeds catching up. The other stories included are without exception excellent. Recommended for all libraries.—Jonathan Pearce, California State Univ.
Stanislaus, Stockton
From Booklist
In this sumptuous, 25-story anthology, horror veteran Straub eschews the genre’s common macabre trimmings in favor of literary style. The authors featured represent Poe’s legacy with a level of craftsmanship equal to that of the best writers in contemporary literature. Most of them—the likes of Stephen King, Neil Gaiman, Ramsey Campbell, and Straub himself—are already familiar to horror fans, while a few, such as Dan Chaon and Brian Evenson, may be more recognizable to mainstream readers. The selections include King’s early “The Ballad of the Flexible Bullet,” about an editor whose typewriter is infested with crumb-eating elves called Fornits; Melanie and Steve Rasnic Tem’s award-winning “The Man on the Ceiling,” a faux-autobiographical account of the uncommon terrors haunting a family; and Ben Percy’s eerie “Unearthed,” describing the madness afflicting an amateur archaeologist when he digs up an Indian corpse. Full of unusual themes and finely nuanced prose, this is a collection to spend time with and savor slowly. --Carl Hays
Most helpful customer reviews
0 of 0 people found the following review helpful.
Four Stars
By 80's nerd
Very enjoyable reads, except for the piece by Straub.
41 of 46 people found the following review helpful.
A great horror collection
By Robert Busko
Poe's Children: The New Horror, an Anthology edited by Peter Straub is a terrific collection of short stories by a varied collection of authors. Straub includes one of his own stories, Little Red's Tango, a story that is sure to grab the reader's attention. I have to admit that I had a little difficulty getting into the rhythm of the story, but once I did I found Little Red's Tango to be truly worthwhile. Also included is a great story by Stephen King, The Ballad of the Flexible Bullet, another story dealing with an author who is convinced that his typewriter is possessed. I think this is King at is "short story" best.
I was also pleased to see that Neil Gaiman was included with his October in the Chair. Here's a list of all the stories included in Poe's Children:
The Bees Dan Chaon
Cleopatra Brimstone Elizabeth Hand
The Man on the Ceiling Steve Rasnic Tem and Melanie Tem
The Great God Pan M. John Harrison
The Voice of the Beach Ramsey Campbell
Body Brian Evenson
Louise's Ghost Kelly Link
The Sadness of Detail Jonathan Caroll
Leda M. Rickert
In Praise of Folly Thomas Tessier
Plot Twist David J. Schow
The Two Sams Glen Hirshberg
Notes on the Writing of Horror: A Story Thomas Ligotti
Unearthed Benjamin Percy
Gardner of Heart Bradford Morrow
Little Red's Tango Peter Straub
The Ballad of the Flixible Bullet Stephen King
20th Century Ghost Joe Hill
The Green Glass Sea Ellen Klages
The Kiss Tia V. Travis
Black Dust Graham Joyce
October in the Chair Neil Gaiman
Missolonghi 1824 John Crowley
Insect Dreams Rosilind Palermo Stevenson
Also included at the end is a brief biography of each of the authors.
I suspect that like many readers, I have just a wee bit of difficulty reading when the story/author changes. Authors write with their own cadence. It always takes me a page or two to get in step, but other than that, I look forward to new anthologies, especially in the horror genre.
The best story in the collection, in my opinion only has to be October in the Chair by Gaiman, followed closely by Cleopatra's Brimstone. Picking these over the others is really pretty arbitrary since all of the stories are grabbers.
All things considered, Poe's Children is a unique collection by a diverse group of authors.
I highly recommend.
0 of 0 people found the following review helpful.
What is horror, anyway
By Zachary
In which Peter Straub sets out to broaden the umbrella of “horror” beyond the stereotypical blood-and-guts sensationalism typically associated with it. He succeeds at this so well that I had a hard time figuring out exactly what made some of these stories fit into the genre at all.
Dan Chaon - “The Bees” - A husband and father is haunted (literally or metaphorically?) by the first wife and child he abandoned during his drinking days. Impressively dark and downtrodden, although one wishes the two wives were sketched out a bit more actively. 3.5/5
Elizabeth Hand - “Cleopatra Brimstone” - The second time I’ve realized after starting a story that I had read it before in Redshift and promptly forgotten about it. This story follows a beautiful young entomologist who travels to England after surviving a sexual assault, at which point she proceeds to pick men up at bars and clubs and turn them into butterflies by having sex with them. I guess there’s something to be said here about a woman reasserting her sexual agency, but weird stories about transgressive sexuality are just not my thing. Also Hand devotes huge chunks of time to talking about raves and clubs. 1/5
Steve Rasnic Tem and Melanie Tem - “The Man on the Ceiling” - I enjoyed the conceit of this one - Melanie and Steve, a married couple, take turns metafictionally (?) relaying the effect that Melanie’s lifelong terror/hallucination of a ghostly presence has on their life together, but the story kind of fizzles out without doing much of anything with that conceit. 3/5
M. John Harrison - “The Great God Pan” - Decades ago, three college friends took part in some sort of magic ritual which has proceeded to ruin the rest of their lives, despite the fact that none of them can remember what actually happened that night. Like “The Bees,” this is a very dark story, and the reader is also swept into this sort of claustrophobic hopelessness where the characters find themselves as they suffer the consequences of this action that remains entirely obscured throughout. Harrison later expanded this story into the novel The Course of the Heart, which I wouldn’t mind reading. 4.5/5
Ramsey Campbell - “The Voice of the Beach” - My favorite story in here, and also the one most comfortably situated within the weird/horror tradition - highly reminiscent of “The Willows” and itself echoed later in China Mieville’s “Details.” A reclusive man living on the beach has a friend, recently recovered from a nervous breakdown, come and stay with him. They notice odd patterns and details about the beach, find an abandoned village (complete with a seemingly-incoherent fragmentary diary), the friend (and the narrator!) act increasingly oddly, and things unravel quite nicely. 5/5
Brian Evenson - “Body” - Having enjoyed what I’ve read of Evenson’s in the past, this was a big disappointment. A fragmentary and disjointed account of a man imprisoned and tortured by some monks, and then something about women and tearing shoes apart and... ? 1/5
Kelly Link - “Louise’s Ghost” - A story about two lifelong friends, who are both named Louise, no last names given, so the reader is left to differentiate whom is being discussed by their quirky actions. I would expect to hate this, and it did wear awfully thin, but by the end I couldn’t help enjoying this story a good deal nonetheless. One Louise has a daughter, while the other has a ghost. Things get sad. 3/5
Jonathan Carroll - “The Sadness of Detail” - An interesting setup - an angel recruits an artist to recreate images for an increasingly senile God - that ends right after revealing said setup. 2/5
M. Rickert - “Leda” - A modern retelling of the Greek myth of Leda and the swan, no more, no less. 2/5
Thomas Tessier - “In Praise of Folly” - An appreciator of architectural follies travels to a remote town in New York in order to photograph a garden done up generations ago as a mini-Italy by an eccentric industrialist. Up until the climax, nothing seems amiss (aside from a single reference when he arrives in the town), and this means the horrific element (which is well-done, such as it is), is entirely divorced from the narrative leading up to it (also well-done, such as it was). This was probably the author’s intent, but there could have at least been more of a thematic connection. 3/5
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