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[Y702.Ebook] Download Medieval Robots: Mechanism, Magic, Nature, and Art (The Middle Ages Series), by E. R. Truitt

Download Medieval Robots: Mechanism, Magic, Nature, and Art (The Middle Ages Series), by E. R. Truitt

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Medieval Robots: Mechanism, Magic, Nature, and Art (The Middle Ages Series), by E. R. Truitt

Medieval Robots: Mechanism, Magic, Nature, and Art (The Middle Ages Series), by E. R. Truitt



Medieval Robots: Mechanism, Magic, Nature, and Art (The Middle Ages Series), by E. R. Truitt

Download Medieval Robots: Mechanism, Magic, Nature, and Art (The Middle Ages Series), by E. R. Truitt

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Medieval Robots: Mechanism, Magic, Nature, and Art (The Middle Ages Series), by E. R. Truitt

A thousand years before Isaac Asimov set down his Three Laws of Robotics, real and imagined automata appeared in European courts, liturgies, and literary texts. Medieval robots took such forms as talking statues, mechanical animals, and silent metal guardians; some served to entertain or instruct while others performed disciplinary or surveillance functions. Variously ascribed to artisanal genius, inexplicable cosmic forces, or demonic powers, these marvelous fabrications raised fundamental questions about knowledge, nature, and divine purpose in the Middle Ages.

Medieval Robots recovers the forgotten history of fantastical, aspirational, and terrifying machines that captivated Europe in imagination and reality between the ninth and fourteenth centuries. E. R. Truitt traces the different forms of self-moving or self-sustaining manufactured objects from their earliest appearances in the Latin West through centuries of mechanical and literary invention. Chronicled in romances and song as well as histories and encyclopedias, medieval automata were powerful cultural objects that probed the limits of natural philosophy, illuminated and challenged definitions of life and death, and epitomized the transformative and threatening potential of foreign knowledge and culture. This original and wide-ranging study reveals the convergence of science, technology, and imagination in medieval culture and demonstrates the striking similarities between medieval and modern robotic and cybernetic visions.

  • Sales Rank: #1133342 in eBooks
  • Published on: 2015-04-22
  • Released on: 2015-04-22
  • Format: Kindle eBook

Review

"The first comprehensive work of scholarship on European automata of the Middle Ages, Medieval Robots systematically and chronologically works through themes such as the transition from the magical to the mechanical and the liminal status of robots between art and nature, familiar and foreign. Well researched and well written, the book does an excellent job of showing the wider cultural significance of automata within medieval history and the history of science."—Pamela O. Long, author of Openness, Secrecy, Authorship: Technical Arts and the Culture of Knowledge from Antiquity to the Renaissance

About the Author
E. R. Truitt is Associate Professor of History at Bryn Mawr College.

Most helpful customer reviews

1 of 1 people found the following review helpful.
Helpful and thorough historical analysis of medieval robots.
By Dr Lindsay Gerard Sharp
In summary the author, a long standing expert in this subject, provides a thorough, thoughtful and helpful historical analysis of Medieval Robots until the mid-to-end C 15. There is a relatively small gap thereafter until the advent of automata in Italy and France in the C. 16 which remains to be filled in a book, as opposed to a number of specialist articles. The actual robotic mechanisms throughout these periods need further analysis and identification both pictorially and in writing. Various University PhD theses are to be found on line but there is no up to date authoritative book available.

0 of 0 people found the following review helpful.
there's an additional like 50 pages or so of great footnotes--most of them ...
By Carl
The whole time I was reading this book I was thinking about Clarke's third law: “Any sufficiently advanced technology is indistinguishable from magic.” It really hits the difficulty that people of any era have in reconciling the bounds of current knowledge with our experiences in a world full of marvels. It doesn't apply 100% here, but much of the book does explore the ways in which medieval peoples tried to fit foreign mechanisms into previously existing frames of reference.

Overall, Medieval Robots is a fascinating investigation of role of automata in the culture of the medieval Latin west. It traces the story of automata from their early appearance in France “as gifts of foreign courts," to the "literary manifestations of these objects" (i.e. in all kinds of stories, travelogues, chronicles, natural histories, etc.), "to the eventual creation of elaborate mechanical automata” in the middle of the thirteenth century--i.e. populating a French pleasure garden with dancing sexy monkeys. Along the way, this history examines “the nature of marvels, the constitution of natural knowledge, the text-based transformation of Latin intellectual culture, definitions of life and death, the spectacle of court, and the mechanics of the universe” (8, 9). So it's broad in scope, but it's really not a big book. About 180 pages of text that tells the various stories in a readable academic voice. If you want more than that, there's an additional like 50 pages or so of great footnotes--most of them are detailed, annotated source notes but there are also some interesting asides to the main argument.

The cast of characters, both fictional and factual, includes writers, travelers, and natural philosophers ranging from Liudprand of Cremona (c. 920 – 972), Pope Sylvester II (c. 946 – 1003) and Fr. William of Rubruck (c. 1220 – 1293), to Sir John Mandeville, heroic traveling figure and witness of marvels mechanical and divine, and a Charlemagne whose journey to Constantinople brings him face to face with pagan king Hugo's powers of astral science that are so cool they hurt Charlemagne’s feelings to the point that he decides he needs God to kick Hugo's tuchus so he'll know that French Christians are the real bosses.

I recently interviewed Dr. Truitt, and our conversation ranged over C-3PO’s medieval forebears in the alabaster chamber, the religious rehabilitation of disembodied talking heads, the role of clocks and clockwork in the discourse shift from natural philosophy to mechanical engineering, and the political significance of lewd mechanical monkeys covered in rotting badger pelts. Like I said, great stories, great scholarship, a really excellent book.

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